Arthur Lismer, Quebec Village, 1926.įigure 2.3. Jacob Hendrik Pierneef, View of Louis Trichardt, 1932.įigure 2.2.
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View from the east of the intervention to Anton van Wouw’s Marthinus Theunis Steyn, 1929, at the University of the Free State, August 2018.įigure 2.1. Intervention to Anton van Wouw’s Marthinus Theunis Steyn, 1929, at the University of the Free State, August 2018.įigure 0.4. The Taalmonument in Paarl, 1975.įigure 0.3. National Women’s Monument in Bloemfontein, 1913.įigure 0.2. Please note, however, that any opinions, findings, conclusions or recommendations expressed here are those of the various authors of Troubling Images, and the NRF accepts no liability in this regard.įigure 0.1. We are also indebted to the National Research Foundation for supplementary funding needed for publication costs as well as scholarly events planned to accompany and follow the launch of the book.
We are deeply grateful to Stellenbosch University’s Publications Fund for a grant that enabled the inclusion of a generous number of full-colour reproductions. Books on visual culture can be expensive to produce because they necessitate the inclusion of reproductions of images. We thank the peer reviewers of the volume for their insightful comments and conscientious engagement with each contribution. We are also grateful to Elaine Williams, whom the press appointed as project manager, and Lynda Gilfillan, who edited the text. The scholarly editors of this volume are deeply grateful to the staff of Wits University Press for their support and encouragement throughout the 2017 to 2020 period in which Troubling Images moved from concept to reality. PART FOUR: DEPLOYING MASS MEDIA AND POPULAR VISUAL CULTUREĩ Anton van Wouw’s Noitjie van die Onderveld, Afrikaner Nationalism and the Construction of the Volksmoeder Discourseġ0 Cartoonists, Intellectuals and the Construction of Afrikaner Nationalismġ1 Visual Narratives of the Border War in 1980s South African Print Culture PART THREE: PHOTOGRAPHY, IDENTITY AND NATIONHOODħ Celebrating the Volk: The 1949 Inauguration of the Voortrekker Monument in State Information Office PhotographsĨ Reframing David Goldblatt, Re-thinking Some Afrikaners
PART TWO: SCULPTURES ON UNIVERSITY CAMPUSESĥ ‘It’s Not Even Past’: Dealing with Monuments and Memorials on Divided CampusesĦ Knocking Jannie off his Pedestal: Two Creative Interventions to the Sculpture of JH Marais at Stellenbosch University Brenda Schmahmann PART ONE: ASSENT AND DISSENT THROUGH FINE ART AND ARCHITECTUREĢ Afrikaner Nationalism and Other Settler Imaginaries at the 1936 Empire Exhibitionģ From Volksargitektuur to Boere Brazil: Afrikaner Nationalism and the Architectural Imaginary of Modernity, 1936–1966Ĥ Afrikaner Identity in Contemporary Visual Art: A Study in Hauntology Project manager: Elaine Williams Copyeditor: Lynda Gilfillan Proofreader: Lisa Compton Indexer: Sanet le Roux Cover design: Hothouse Typesetter: MPS Typeset in 11 point Crimsonįederico Freschi, Brenda Schmahmann and Lize van Robbroeckġ The Trajectory and Dynamics of Afrikaner Nationalism in the Twentieth Century: An Overview Every effort has been made to locate the original copyright holders of the images reproduced here please contact Wits University Press in case of any omissions or errors. The publishers gratefully acknowledge the publishers, institutions and individuals referenced in captions for the use of images. All images remain the property of the copyright holders. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the written permission of the publisher, except in accordance with the provisions of the Copyright Act, Act 98 of 1978. Published in South Africa by: Wits University Press 1 Jan Smuts Avenue Johannesburg 2001 Compilation © Editors 2020 Chapters © Individual contributors 2020 Published edition © Wits University Press 2020 Images and figures © Copyright holders Cover image: Preparation of the CR Swart sculpture by Cigdem Aydemir for Plastic Histories, 2014. Troubling Images Visual Culture and the Politics of Afrikaner Nationalism EDITED BY FEDERICO FRESCHI, BRENDA SCHMAHMANN AND LIZE VAN ROBBROECK
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